人人有本用

刚刚看了战地摄影师此片.
被那些充满震撼力的摄影作品所感动.
多么兢兢业业的艺术摄影工作者啊.
比起那些个派摄美女或明星的摄影师来说他是太崇高了.
同样作为一个搞艺术的.
我感慨.
为什么在国外,
他们可以专心做自己想做的.
而不象我们国内的从事艺术或设计的大多只能为了生活而工作.
而不能做自己想做的事情.
我并不是一个认为外过的月亮比中国圆的人.
但是我不由的感慨为什么中国的艺术家或设计者大多是和妓女相同的命运.或是争名夺利.
始终没有一个良好的环境.
几千年的历史主定了.
这一批人就是画匠.
真正的搞艺术的可能也只有在不愁生计的情况下搞的好.
因为他能做自己想做的事情.
很多人羡慕凡高.
但他的出名也只能在死后.他所做的也只能给后来炒做的人带来商业利润.
而他的一生没有一天是快乐的,因为他没有面包.
可怜天下所有从事艺术的人们啊.
是在倒退吗?
无语........

媚俗成了一种追求

艺术便只是附属

我所说的是我想的.
可是面对就要写的毕业论文.
我却不能写这些.
我必需写哗众取宠的东西.
写些假的老师喜欢的.
可能在现实社会里.
每个人不的不戴着面具生活.
就连大家认为的艺术工作者也不的如此.
我早已经不把自己看做搞艺术的人了.
那终将饿死.
四年的大学生活彻底改变了我的艺术观.

hb是学摄影的？

不只是艺术，学术一个样，工作一个样！大家扪心自问自己干的工作可真是自己想做的事，有多少人是真心喜欢自己做的工作？？我现在还不是。:c::c::c::c::c:

Originally posted by hbhbhb at 2004-1-13 03:41 PM:

支持你做蛋高:n32::n32:

这是偶得梦想：
做个战地摄影师。。。

Originally posted by 豆豆虫 at 2004-1-13 05:20 PM: 支持你做蛋糕:n32::n32:

好吃的说！~~~

[ Last edited by maan on 2004-1-13 at 09:17 PM ]

我两天不在,你就搞小聚会啊~~我妈妈说了:扎辫子的男人花七搭八~~

Originally posted by 作作 at 2004-1-13 03:32 PM: hb是学摄影的？

我老公,关你鸟事,走远点!

一篇读后感感能搞成那样.
我晕.
想死!

我晕 HB你块头这么大 上次不是说全国散打冠军吗？怎么搞艺术了

÷÷÷同样作为一个搞艺术的.

Originally posted by hbhbhb at 2004-1-14 00:33: 一篇读后感感能搞成那样. 我晕. 想死!

HB，我也终于明白搞艺术的为什么用发疯。

其实一半是来自于生活的压力。

我很佩服你。至少你可以在生活比我强多了。

因为我自问受不了这样的……







老婆。

Originally posted by hbhbhb at 2004-1-14 03:47:

将就一下啦。

因为刚才帖太多了。所以我不知道能回哪个，

所以才挑个回帖少一点的。

算了，我不污染你的帖了。

其实我很赞同你的说法：在中国，艺术不能混口饭吃，就最好不要搞。这就是生活。

但是搞艺术顺便可以搞女人~

Y photograph wall, it is possible to put a end of human behaviour, which is existed throught history by means of photograph. The proportion of that notion seem to ridculers how to balance. It's the really idea how to motivate me. For me this strength of photograph lies in its ability to voke a sense of humanity. The more it tempting and engating humanity, then the photograph could percede the oppsite of this war. And if it is used well, they can be powerful ingredient into the end of this war. In a way if an individual assume the risk of placing himself into the middle of war and order to communicate to the rest of the world what is happening, he is trying to negotiate for peace. Perhaps that is the reason why those in charges perpatronizing the war do not let the photographers around. In the film what you experienced is extremly immediate. what you see is not the images or pages on the magerzine ten thousand miles away with a advertisement for a role that are watches on the next page. What you see is unmedicated pain and justice in misery. It is a curve to me that everyone can be there just once to see for themselves. But why Fatah's are just the face of a child, for what unspeakable pain was caused by this impact of a single bullet, for how it jage a piece of  shramp can rip someone's leg off. If everyone could be there just see for themself the fear and grief just one time, then they will understand that nothing is worth of letting thing to get to the point that happens to street even on one person, let alone thousands. But everyone cann't be there, and that's the why photographers go there, just to show them and reach out and grab them and  make them stop what they are doing and pay attention to what is going on, to create pictures powerful enough to overcome the deluding the facts, the mess meidas and shake the people out there indifference, to protest and by the strength of that protest to make other protest. The worst things is to feel but it is a photographer that benefit from somebody else's tragedy. This idea haunts me. It is something I have to re-con everyday. Because I know if I ever allow that general compassion to be over taken by personal ambition, I would had sold my soul. The only way I can justify my role is have respect of other predicament. The extends to which I do that, the exends to which I shall become accepted by the other, and into that extends I can accept my self.

我倒！这里都有英文了！:n04:

我也倒

介个英文那么长

看不下去了:n33:

再往上翻原来还有针对偶的帖子呀

晕S

唉，花了这么多时间听写下来，居然没人顶，真实伤心啊